Tottori may be Japan’s least populated prefecture in terms of people, but if it’s yōkai you’re counting then it will come out on top. In the city of Sakaiminato, they have taken over the streets with their somewhat disturbing charm.
In Japanese folklore, yōkai are mischievous supernatural creatures akin to spirits or demons in Western culture. The artist and writer Mizuki Shigeru brought them into the limelight with his 1960s manga series GeGeGe no Kitarō (ゲゲゲの鬼太郎). Shigeru’s work tells the story of a boy named Kitarō, who fights to make peace between the worlds of humans and yōkai, along with his… unusual allies. Most notably Medama-Oyaji, an anthropomorphic eyeball who is also the reincarnation of his father, and Neko-Musume, a young girl who can alter her facial features to resemble a sinister-looking cat.
Mizuki Shigeru spent his childhood in Sakaiminato. To celebrate his work, the area around JR Sakaiminato station and the main road leading off of it has 153 bronze statues of yōkai. You can purchase a guidebook at the station (in Japanese only), which lists each one with some information about it. There are also spaces for collectable stamps, found outside of shops and restaurants along the road. Already being an avid collection of Japanese train station stamps, I was so on that! More so than the elementary school children I frequently found myself queuing with…
I took photos of some of the statues, which I shared on Twitter with the hashtag #dailyyōkai during the summer. For those who missed it, here’s a recap. Just click on the pictures to make them bigger.
In Japanese folklore, it’s sometimes hard to define where yōkai ends and yūrei/obake (ghost) begins. Strictly speaking, the term yūrei should only be used for human spirits and obake for things which are possessed (like the chōchin-obake in my photo above). But in reality, these terms are often used interchangeably and there is much overlap of attributes between all three. This difficulty with defining them makes yōkai a subjective set of creatures, adding to their mystery and appeal. Each has their own identity, composed of their own power, purpose, and motivation. This makes yōkai very relatable – when we are stressed at work we can blame the isogashi, or when our bathroom needs cleaning we can wish for an akaname to appear. And I am sure after a terrible date we can sympathise with the Hari-Onna!
After living in Japan for a year, I thought I was impervious to the strange sides of Japanese culture. I caught myself watching this Funassyi video and not even flinching. A giant pear running through a minefield seemed perfectly normal. But after visiting Sakaiminato, I’ve discovered that there is still a lot left in this country capable of making me wonder ‘why is this even a thing?!’ Like the sagari – Ghost horse heads which spontaneously drop out of trees and scream at people? Okay. It’s Japan. Don’t question it. Embrace the insanity.
What’s your favourite yōkai? Let me know in the comments, or tweet it to me @amyelize.
For more about yōkai, read my tsukumogami post. These are a specific group of yōkai comprised of possessed household objects. Watch out for the boroboroton!
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