I tend to only write book reviews when a book really riles me up, either for good or bad reasons. In the case of Uprooted, it’s other reviewers who have done this and so I feel the need to throw in my views on what I thought was a reasonably good book.
So, before y’all be reading other reviews & getting put off, let me clear a few things up.
GENERIC SPOILER DISCLAIMER! I don’t think there any major ones, but depends on your spoiler threshold.
Uprooted is a standalone adult fantasy novel (which is one of the reasons I loved it – everything seems to be a trilogy or epic saga these days. A standalone is so refreshing!) about a young woman named Agnieszka who gets chosen by a reputable wizard known as ‘the Dragon’ to live in his tower and learn magic. They don’t always get along, but work well together and put aside their differences to stop the evil spread by the Wood, a sentient, malignant forest, filled with merciless creatures who snatch people and corrupt their minds.
Now onto my rant…
- Agnieszka having a horrific case of ‘special snowflake syndrome’
- Agnieszka’s relationship with the Dragon being abusive
I’m not going to try and deny the first one, Agnieszka is a special snowflake (and the fact that her name is Agnieszka doesn’t help, when none of the other characters are called such mouthfuls), but I will say there’s also more to her. Initially, Agnieszka is a regular awkward teenager: ordinary in appearance, ditsy, non-conforming, and prone to making mistakes. In contrast, the other girls in her village, in particular her best friend Kasia, are well-dressed, tidy, and perfect at dancing, cooking, and household tasks. But of course, despite this and to add to her specialness, the Dragon chooses Agnieszka (although later we learn there’s a good reason why). Agnieszka hates magic, and the tasks the Dragon sets her. Instead, she does random things like sing lullabies and somehow they become insanely powerful spells. She finds a book in the library which the Dragon (who is considered to be one of the most learned and powerful wizards in the land) cannot use, and instantly she’s casting everything in it and getting perfect results. Because y’know, she’s special.
I didn’t hate Agnieszka (just her name), but initially I found her boring. Then she becomes annoying, because everything she does is suddenly amazing with no real explanation why. But to her credit, she’s also brave, resourceful, and determined. She’s not afraid to act, and won’t let anyone (especially the Dragon) tell her what she can and can’t do when it comes to fighting the Wood and protecting her loved ones. So despite being a special snowflake, she’s also got a lot of spirit which made me give her the benefit of the doubt.
Regarding her name, Novik explains that she choose ‘Agnieszka’ because it’s from one of her favourite fairy tales, a Polish story called ‘Agnieszka Skrawek Neiba’ (Agnieszka Piece of the Sky) written by Natalia Gałczyńska. Sadly I haven’t been able to find anywhere to read this story, but this website has a good synopsis of it. It’s in Polish, but Google Translate works wonders! It’s about a young girl called Agnieszka who lives near a dangerous forest, which claimed the life of her parents. Therefore, she believes the people living on the other side of the forest are evil. Then there’s a whole lot of events with a cow, a hero, and a fairy godmother which I can’t recount coherently because of the dodgy translation, but in the end Agnieszka’s grandmother is given some beautiful blue cloth by the fairy godmother. She makes a dress out of it for Agnieszka to wear, and because of its colour she looks like a part of the sky. The fairy godmother tells Agnieszka that the people on the other side of the forest are just like them, so she goes into the forest. There she finds an army of sleeping men, and repeats what the fairy godmother told her and this wakes them up. Then she journeys to the other side of the forest, and sees that the people there are good and in reality the forest was only thought to be evil because both sides perceived it to be. This resonates strongly with the plot of Uprooted, and from these little snippets of the fairy tale I can see clearly how Novik used it for inspiration and has done a wonderful job of fleshing it out into a novel. Novik cites ‘Agnieszka Skrawek Neiba’ as being from a collection called O Wróżkach i Czarodziejach (The Fairies and Wizards), which contains stories based on French fairy tales. So there’s probably a French equivalent of ‘Agnieszka Skrawek Neiba’ somewhere. If anyone knows more about this story, please get in touch because I am very interested!
Uprooted also frequently refers to a mysterious old witch who roamed in the Wood, known as ‘Baba Jaga.’ It is her book which Agnieszka finds in the Dragon’s library, and although it’s accepted that she was real her name has fallen into legend. It’s not hard to see a correlation between her and Baba Yaga. In Russian folklore, Baba Yaga is an ambiguous crone who lives in the forest. Her house moves around on chicken legs, and her lamps are made from human skulls.
As for the Agnieszka’s relationship with the dragon, wow. Just wow.
The Dragon is very set in his ways, and at first he doesn’t seem to like Agnieszka intruding in his life. His manner of speaking is terse and often rude. However, beyond this, his actions are wholly good. He is dedicated to fighting the Wood, and once he sees Agnieszka’s potential he’s willing to help her. He doesn’t hold her back, and he supports her different style of magic albeit in a begrudging manner (mostly because he’s rather arrogant and doesn’t like that she can do things which he can’t, but he gets over it and helps her anyway). He’s never purposefully nasty to Agnieszka, and he treats everyone with the same brusque manner. But as the novel progresses, he relents. An effortless, practical relationship builds up between them as they work together to remove the Wood’s corruption. He supports Agnieszka through his actions rather than words. Towards the end when she’s hell-bent on going into the Wood to end things once and for all, he unquestionably goes with her. He fights besides her, and puts himself in danger to save her life.
There’s also one important word where relationships are concerned, which seems to have been forgotten in other reviews:
As the dictionary says…
When the Dragon and Agnieszka get physical, consent is definitely present. Not once does the Dragon force himself upon her – except okay, if you’ve read it I know the one scene you’re thinking of but that’s completely out of context! The Dragon’s violent actions there were in response to his belief that Agnieszka was intending to harm him, and once he realises his mistake he doesn’t lay another finger on her. Other characters do far worse things to Agnieszka, and the only reason they don’t come under fire from reviewers is because she doesn’t end up romantically involved with them later.
It is the Dragon who makes the first move, and Agnieszka happily RECIPROCATES. Then, she makes her own move by choosing to visit him in the middle of the night and well, you can guess how that pans out. Mutual consent is present. The Dragon is sometimes verbally abusive, I’ll give you that, but Agnieszka shows no response to his jibes other than to ignore them and carry on. He doesn’t alter her personality, or damage her self-worth. His actions speak louder than his words; like I already said the Dragon more than makes up for anything he says by showing Agnieszka that he cares for her. Just because their relationship is a bit disjointed and initially born from desire rather that the mushy stuff you usually see in fiction, doesn’t mean that they don’t care for each other or that it’s not credible.
Overall, Uprooted is a solid, refreshing fantasy novel. It has a steady pace, excellent cause and effect which keeps the story moving, and there are no lose ends or unanswered questions. It’s a complete, feasible story which reflects its source material well whilst also giving it an original spin. If you want engrossing standalone fantasy, this is it. If you want romance… it’s there, but without the fluff. And that’s perfectly okay.
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